Today I am in a “History of Photography” mood. A bit of information is always educational. (or is it edumucational?)
A link to check out his stuff first and then a bit of his bio. Very interesting stuff and quite sad.
http://www.npg.si.edu/exh/brady/ (Link)
http://www.mathewbrady.com/ (Link)
Covering also some of Photography History.
I love Photojournalism and like any other practice of art or science there is one person associated (almost always) as the father of said discipline. (-or mother for those who are a bit feminists)
The father if photojournalism is Mathew Brady. Born in Warren County, New York in 1822 and died destitute on January 15, 1896.
Credited with photographing famous Americans. His photo of Abe Lincoln is used in the 5 dollar bill.
Brady’s efforts to document the Civil War on a grand scale by bringing his photographic studio right onto the battlefields earned Brady his place in history. Despite the obvious dangers, financial risk, and discouragement of his friends he is later quoted as saying “I had to go. A spirit in my feet said ‘Go,’ and I went.” His first popular photographs of the conflict were at the First Battle of Bull Run, in which he got so close to the action that he only just avoided being captured.
Photograph of Abraham Lincoln taken by Brady on February 27, 1860 in New York City, the day of Lincoln’s Cooper Union speech.He employed Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche and seventeen other men, each of whom were given a traveling darkroom, to go out and photograph scenes from the Civil War. Brady generally stayed in Washington, D.C., organizing his assistants and rarely visited battlefields personally. This may have been due, at least in part, to the fact that Brady’s eyesight began to deteriorate in the 1850s.
In October 1862, Brady presented an exhibition of photographs from the Battle of Antietam in his New York gallery entitled, “The Dead of Antietam.” Many of the images in this presentation were graphic photographs of corpses, a presentation totally new to America. This was the first time that many Americans saw the realities of war in photographs as distinct from previous “artists’ impressions”.
Following the conflict, a war-weary public lost interest in seeing photos of the war, and Brady’s popularity and practice declined drastically.